Welcome to Stratford-Upon-Avon
Welcome
to Stratford-Upon-Avon
“Henley
street is up there, sir. Shakespeare’s birthplace is on the right.”
I
only had to ask, “Where is Henley Street?” The town tourism guide knew exactly
why I was headed there. I thanked him, and found that Henley street was only a
few paces from where I stood. I had no trouble finding Shakespeare’s childhood
home.
In
a large bedroom, on an unknown date in April, John and Mary Shakespeare
welcomed their son, William, into the world. As I stood in that bedroom, I
tried to imagine what his first cries would have sounded like. How they would
have echoed off those oak beams that formed the frame of the house.
I
thought to myself, “Was it a warm, sunny day like this? Or, was it raining when
he was born?”
The
pale sunshine of an English spring would have illuminated the bedroom—and cast
white light onto the face of Shakespeare, and his parents.
As
was the custom then, he would have been baptized either a day or two after his
birth. In some cases, the child was baptized the same afternoon. Holy water would
have washed away the original sin, and the fluid of the womb. Visceral, would
the Bard’s birth be. He was born like all of us, human. Though in Britain, and
the rest of the world, he would ascend to a form of immortality—etched in both
parchment and stone.
As
the costumed guide on sight told us of Shakespeare’s sleeping arrangements, I
thought of the following dialogue from Henry
VI.
Though
I doubt Shakespeare was a breach birth. Or was he? We’ll never know.
The actual bed
where The Bard was born is no longer extent. However, some period furniture is
on display. The bed I saw is exactly like the one where John and Mary would
have slept. Their young children would be positioned on a fold out trunkle bed
that slid out from the side; almost like a drawer for children (and the
occasional pair of socks). Eventually, young William would be rotated out to
another bed, a full-sized one, which he’d share with his brothers.
Shakespeare’s
sisters would have their own room, but would have also shared a bed. It was in
the girl’s room that I saw the panes of glass you see below. It was a tradition
at one time for visitors to etch their names onto these panes. I’m not sure if
that was to insure some blessing of the Bard, or to prove they’d visited. But
these were no ordinary guests. Charles Dickens, Ellen Terry, and Sir Henry
Irving were among the prominent Victorians to pass through here. It was Dickens
who started a campaign to save the site, and preserve Shakespeare’s home.
Remember that the next time you hear the music to Oliver!
When
Shakespeare inherited the house from his parents, he converted it into an inn.
The Swan and Maidenhead Inn was a prominent lodging house for travelers passing
through Warwickshire. The Bard made a unique deal in those days with the
managers he’d hired to run it, Mr. and Mrs. Hiccox. They could manage the inn
as they saw fit, but Shakespeare would be paid a residual of their profits. Not
a bad deal in those days. Since Shakespeare was already living at his New
Place, he didn’t need his old childhood home. Rather than sell it outright, he
turned it into an investment opportunity. By having someone else run it, he
wouldn’t be distracted from his plays. Yet, he was still able to make bank from
it. Shrewd, indeed.
Did
you think I was going to make a Taming of the Shrew pun there? Well, I resisted
the urge…this time.
My
palms sweated in that room, and not from the unseasonal heat.
I
couldn’t believe I was standing where Shakespeare was born.
As
I headed down the narrow staircase, I re-entered the first floor, and then a
gift shop. After I bought a “Will Power” t-shirt there, I headed to the garden
area, where there is a small, round stage. It was here that actors performed
requests from the museum goers. One person requested Henry V. Another requested Macbeth.
The actor repeated this request without calling it “The Scottish Play.”
I thought to
myself, “I daresay. We won’t be seeing that actor again.” Though technically,
this wasn’t in a theater.
I requested Midsummer Night’s Dream.
The two actors on
staff that day performed like a tag team.
“I’ll
do it.” The one actor said.
“You
sure? I’ll do it.”
“Okay.”
He
looked right at me, and performed.
“Lovers
and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:One sees more devils than vast hell can hold,
Are of imagination all compact:One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven;
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.” (Act V, Scene I)
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.” (Act V, Scene I)
He
didn’t miss a single line! These were young, but highly trained actors. I
imagine they came from the RSC. This was probably a part-time gig between plays.
On
the lawn, just a few yards away, was a dry-erase cube. It featured Tudor and
fantasy scenes, and acted as a coloring book. I took a Sharpie to a Tudor rose,
and filled in it in with wild colors—orange and violet. You won’t find that on
any royal standard! Duke of Orange, Princess of Crimson, Duchess of Lavender!
I
had a few quiet moments in the garden nearby at Shakespeare’s New Place. I saw several
bronze statues there, that depicted characters from his plays.
“Say
it with me.” The Schoolmaster in costume said, “I love. You love. We love. Now,
in Latin. Amo. Amas. Amamus.”
We
all sat on forms, wooden benches. Traditionally we would have had slates to
write on, but this was only a quick lesson.
The
teacher did warn us though, “In Shakespeare’s time you’d be speaking only in
Latin in this room. Naughty boys who speak English get the birch rod!”
He
held up what looked to me like a cross between a hyssop broom, and the dried
roots you see in a decorative pot. My naughty side thought, “I know some people
who’d have a lot of fun with that.”
After
those thoughts, I pressed on to a more wholesome place—Hall’s Croft. It was the
house of Susanna (Shakespeare’s eldest daughter) and her husband, Dr. John
Croft. That house was lovely. I’d say more about it, but I don’t want to spoil
the surprised that house has for future visitors. Though there was one exhibit
that comes to mind.
Hall’s
Croft has rotating exhibits. This time around, I saw one about Shakespeare and
warfare. Photos from WWI were on display, as well as uniforms and medals. What
struck me most was a glass case with a telegram inside. It was handwritten, and
was very legible. I knew immediately what it would say, before I read it.
“Dear
Mrs. Logan. We regret to inform you that your son, Pvt. Logan was killed in
action in France…”
I
couldn’t read the rest of it. Instead, I imagined who Private Logan was, and
what he must have been like. He was a boy from Stratford, who’d probably walked
along Henley street many times. Considering that I was wearing an olive
flatcap, and army-style jacket, I probably looked much like he did. Once again,
I reflected, and then stepped into the next room.
I
smiled soon after, when I saw the little mouse named Miranda (my honorary niece
is named after the character from The
Tempest). I then saw other such mice, all of whom had Shakespearean name
tags. Oddly enough, they didn’t have these mice in the gift shop!
My
next approach was Trinity—the baptism and burial place of The Bard. Before I
entered the gates of that hallowed place, I took a detour. There was a “stone
garden” nearby, a war memorial. I passed through an iron gate, and found a
large stone cross standing before me. At the base were plastic poppy wreaths. I
took a photo of this, but wasn’t sure if I should. It felt a bit odd to
photograph a memorial like this, but then again, I’ve taken several photos in
old cemeteries. Still, this was different. My photo was taken with reverence
though.
I
then approached another memorial, one with names on it. They were all lads from
Stratford, all deceased in combat. I nearly cried when I saw the most recent
entry was from 2008. Poppy wreaths were also laid at the base of this memorial.
Fittingly, the famous “band of brothers” speech from Henry V was quoted above the names of the fallen.
I
saw an elderly woman sitting on a bench there. She seemed serene and
meditative, so I let her be. Though I had a feeling that she must have known
some of those names on that memorial.
I
crossed the road, and stood before Trinity.
I
laughed for a moment, at I read the sign posted at the gate, which you see
here.
No one found Pikachu on Shakespeare’s grave. That would have been awkward.
Though a friend of mine did find Charizard in The Tower of London. I choose
you, Prospero!
I
took a few photos of the moldering tombs in the churchyard. It was a peaceful
place, not spooky at all. Though I must confess that I thought Peter Cushing
and Sir Christopher Lee would have felt at home there. I could easily see the
churchyard being used a set for a Hammer film. Taste the Blood of Stratford!
I
entered Trinity, and removed my hat. I then approached the sanctuary, which was
a bit crowded. Shakespeare’s birthplace was busy that day, but there was lots
of breathing room. However, Trinity seemed to be hopping.
I
approached the altar, slowly, and with reverence.
I
stood before the burial places of Shakespeare, and his family. I learned on my
visit in Oxford (two days later) that those who are buried at the altar are the
most prominent members of the church. There he was, right in front of the
altar! His wife, his children, their husbands, were all beside him. A wooden
effigy of The Bard stood watch over their tombs, with quill in hand.
I
thought to myself, “The only thing that stopped me from having a conversation
with him was four-hundred years.”
I
took a few photos, and some video, but had little time for reflection. Other
people wanted to pay their respects, and so I had to step away. I did however
see a copy of Shakespeare’s baptismal record. I was reminded that we don’t know
the exact day he was born, but we do know when he was sanctified. He was
baptized and buried in the same church that he attended since childhood. His
home was about a ten-minute walk from there. His whole life could be traced on
just a few streets. Well, not entirely, as The Globe and the Rose are located
elsewhere.
Still, I find it
remarkable that Shakespeare’s story is that of “hometown boy makes good.”
There’s a real cult of Shakespeare in Stratford, but a welcome one. It’s easy
to see why he is so venerated and loved, even today. Every emotion, every
thought any human could possibly have was documented by that man. Before
therapy, before psychology, there was Shakespeare. He’s permeated our language,
or world, and our dreams for over four-hundred years. He’ll continue to do so
for eternity.
It would have seemed
that my pilgrimage was at an end. There were other pilgrimages I had to make on
that trip, and others still in the future. This was only the start. So, the
story doesn’t end here.
I started to cough
as I left Trinity. At first, I thought that maybe it was from the dust of the
old church, or from the graveyard itself. Perhaps the leaves and the pollen?
Maybe it was from the unseasonal heat? I stopped at a local pound shop, and
bought some soft drinks (two for a pound, mum would be proud). Still, I coughed
a bit. It wasn’t until I returned to Leamington that afternoon that I stopped
coughing.
I thought to
myself, “Did I breath in some of Shakespeare’s dust?”
I’ve since
jokingly said, “I breathed in some magic bard dust.”
Perhaps I did.
Visiting Stratford-Upon-Avon was an emotional experience. It seems to have also
inspired me greatly, and helped tremendously with my writing. Since my visit to
not just Stratford, but England itself, my writing output has increased. Maybe
this was the environment I needed to help spur me on, and remind me why I love
to write?
Or, as I prefer, I
obtained some sort of blessing from The Bard himself. If that’s the case, I’ll
take it. I may have just invented a country legend with that one. If so, may it
be so.
Whatever it is, I
love Stratford-Upon-Avon. I would move there in a heartbeat. The River Avon
flows gently, as the Bard in stone sits, and watches eternal. People gather
round, and children play by the banks. Workers go to lunch nearby, and dine at
The Food of Love (no joke, a real café on Henley Street). There is a sense that
this town was made special by Shakespeare’s presence…a presence that has never
gone away, and never will.
It’s not just him,
it’s also the people. We all can learn a lot, and be a bit more like Bill.
As the Bard wrote,
“We are such stuff as dreams are made on…”
Text and photos Copyright Riley Joyce 2016
4 out of 100 births will be breech and it doesn't mean mother and/or baby will die so it's entirely possible.
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